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Monologue: Launcelot Gobbo

The Merchant of Venice · William Shakespeare

male1–2 minEverymanComedy Type

Monologue text

Act 2, Scene 2. Alone in a Venice street, the servant Launcelot debates with himself — conscience versus fiend — whether to run away from his master Shylock.

Certainly my conscience will serve me to run from this Jew my master. The fiend is at mine elbow and tempts me saying to me 'Gobbo, Launcelot Gobbo, good Launcelot,' or 'good Gobbo,' or good Launcelot Gobbo, use your legs, take the start, run away. My conscience says 'No; take heed,' honest Launcelot; take heed, honest Gobbo, or, as aforesaid, 'honest Launcelot Gobbo; do not run; scorn running with thy heels.'

Well, the most courageous fiend bids me pack: 'Via!' says the fiend; 'away!' says the fiend; 'for the heavens, rouse up a brave mind,' says the fiend, 'and run.' Well, my conscience, hanging about the neck of my heart, says very wisely to me 'My honest friend Launcelot, being an honest man's son,' or rather an honest woman's son; for, indeed, my father did something smack, something grow to, he had a kind of taste; well, my conscience says 'Launcelot, budge not.' 'Budge,' says the fiend. 'Budge not,' says my conscience.

'Conscience,' say I, 'you counsel well;' ' Fiend,' say I, 'you counsel well:' to be ruled by my conscience, I should stay with the Jew my master, who, God bless the mark, is a kind of devil; and, to run away from the Jew, I should be ruled by the fiend, who, saving your reverence, is the devil himself. Certainly the Jew is the very devil incarnal; and, in my conscience, my conscience is but a kind of hard conscience, to offer to counsel me to stay with the Jew. The fiend gives the more friendly counsel: I will run, fiend; my heels are at your command; I will run.

Work in the public domain.

Practice pace in the timer (text prefilled)

Why pick it & how to approach

A classic comic-servant inner trial: play the fiend and conscience as two distinct living voices pulling him physically in opposite directions, and let the final 'I will run' land as a triumphant verdict — the trap is reciting it as one even narration instead of a fought-out debate.

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